Go to Street Corner Music on Greenfield and 9 ½ Mile, and get YOURS, Two great songs out of 16 that will have you shaking you head as longas you here them!!!!.....”People Make The World Go Round”...and “Wes” (Is Still In The House)....
Preserving The Past and Presenting The Future of Jazz Music
Lee Morgan was born in Philadelphia on July 10, 1938. He began his trumpet studies with a private instructor, and continued them at Mastbaum High School for the Arts, where he also played the alto horn. A fan of jazz from an early age, he was exposed to a wide variety of live music in the vibrant Philadelphia music scene, which had produced such notables as John Coltrane, Benny Golson, the Heath brothers, and many others.
By the time he was 15, Morgan was leading his own group with bassist James "Spanky" DeBrest as his partner. He was also taking part in Tuesday night workshops at the Music City club which brought him into early contact with his main early influence, Clifford Brown.
After Morgan graduated from Mastbaum in 1956, he and DeBrest subbed with the Jazz Messengers when Art Blakey arrived in Philadelphia short two musicians. "Spanky stayed on," Morgan explained in the liner notes to his first Blue Note album. "I could have stayed too, but I didn't want to sign a contract, so I left after two weeks. Then very soon after that, Dizzy came back from his South American tour. I'd met him a couple of years before at the workshop and he knew about me. He needed a replacement for Joe Gordon, and I needed some big band experience, so it worked out fine."
After the untimely death of Clifford Brown 1956, Morgan was recorded often, viewed as a like successor to Brown's legacy (the Blue Note label recorded Morgan six times as a leader over a span of 15 months, and Morgan appeared extensively as a sideman on others' recordings during this period).
In 1958, Morgan left Gillespie's big band to join Art Blakey's Jazz Messengers, with whom he remained until the summer of 1961 (when he was replaced by Freddie Hubbard). Problems with heroin forced Morgan into a period of low profile in Philadelphia. He returned to New York in 1963, and his first recording, The Sidewinder, became his greatest commercial success (the title tune was such a hit that Chrysler used it behind an automobile ad during the 1965 World Series).
When The Sidewinder became a hit, Morgan was back temporarily with Art Blakey (1964-1965); he left in 1965 to lead his own bands and pursue the commercial success resulting from his record sales.
In the last four years of Morgan's life, he was one of the leaders of the Jazz and People's Movement, which demonstrated during the taping of talk and variety shows during 1970-71.
Morgan's later bands featured Bennie Maupin or Billy Harper on saxophone, and while the modal jazz direction taken by many other bands became more prominent in his compositions, Morgan remained at heart a hard-bop trumpet player.
On February 19, 1972 his common law wife shot and killed him during an argument at Slugs', ending his life at the age of 33. Lee Morgan's recorded legacy is immense; he recorded many records throughout his career as a sideman, and led 25 albums for Blue Note plus sessions for Vee-Jay, Roulette, Jazzland and Trip.
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Al di Meola
Guitarist Al di Meola first rose to prominence as a blazing jazz fusion player before his playing matured and he began to conquer other styles, such as acoustic Latin music. Born on July 22, 1954, in Jersey City, NJ, di Meola briefly studied at the Berklee School of Music in Boston during the early '70s before accepting a job replacing guitarist Bill Connors in fusion trailblazers Return to Forever (a group that included such monster instrumentalists as keyboardist Chick Corea and bassist Stanley Clarke) in 1974. It was with di Meola that Return to Forever enjoyed their greatest commercial success, as such releases as 1974's Where Have I Known Before, 1975's No Mystery, and 1976's Romantic Warrior cracked the U.S. Top 40 before di Meola jumped ship to launch a solo career.
What followed remains some of the finest jazz fusion guitar-based recordings ever: 1976's Land of the Midnight Sun, 1977's Elegant Gypsy (which would eventually earn gold certification in the U.S.), and Casino, plus 1979's Splendido Hotel, before uniting with fellow guitar greats John McLaughlin and Paco de Lucía for 1980's Friday Night in San Francisco. Throughout the '80s and '90s, di Meola racked up numerous accolades (including earning yearly top honors in Guitar Player Magazine polls), kept on issuing solo releases on a regular basis, and played with others, including releases by Stomu Yamash'ta, Paul Simon, Stanley Jordan, and David Matthews, as well as further work with such former bandmates as Corea, Clarke, de Lucía, and McLaughlin. During the '90s, di Meola turned his back almost entirely on fusion to concentrate more on acoustic-based world music, as evidenced by such releases as World Sinfonia, Di Meola Plays Piazzolla, and Heart of the Immigrants, among others. Since that time, Di Meola has continued this eclectic approach with releases like 2003's Revisited, 2006's Consequence of Chaos, and 2007's Diabolic Inventions and Seduction for Solo Guitar, Vol. 1: Music of Astor Piazzolla.
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On the 11th of March, 1950, Bobby McFerrin was born. His parents were classical singers and he began to study music theory early on in his life. His family then moved to Los Angeles. During high school and then in College, UCSC, he focused on the piano. Once he finished college, Bobby McFerrin toured with numerous bands including the Ice Follies.
However, it was only in 1977 that Bobby McFerrin decide to become a singer. At one point he met Bill Cosby who arranged for him take part in the 1980 Playboy Jazz Festival. It was only two years later where he released his firm album called "Bobby McFerrin" in 1982. It was in 1983, that Bobby McFerrin started converting without a band. This eventually led him to make a solo tour in Germany. It was in Germany that he recorded his album "The Voice". From that point on, he continued to make solo tours in the most prestigious locations. It is also important to realize that Bobby McFerrin worked with several important people like Garrison Keillor, Jack Nicholson, and Joe Zawinul. On "Another Night in Tunisia", Bobby McFerrin won two Grammies.
McFerrin was also featured in TV commercials for Levi's and Ocean Spray and also ended up singing the theme song for the Cosby Show and the movie Round Midnight by Bertrand Tavernier which got hum another Grammy. By now, Bobby McFerrin had achieved a great deal of success as a vocal and had released his platinum album Simple Pleasures which included the hit "Don't Worry be Happy".
There is another important aspect of McFerrin's life. He was part of the artistic leadership of the Saint Paul Chamber Orchestra and in 1994 he joined as the creative chair. Among his numerous other activities, McFerrin he developed a program called CONNECT which is an education and outreach program. In 1996, he was recognized for his work with bringing the youth into classical music as the ABC Person of the Week. Also, he was given a 60 minutes feature with Mike Wallace.
His most recent works has been his album Bang Zoom which was released in January of 1996. Also, his latest work Circle Songs he focussed on his tremendous vocal talent. He continues to conduct symphonies. Indeed, he has conducted in practically all the great orchestra including the New York Philharmonic. Over the years, Bobby McFerrin has been an inspiration to millions and a musician who has evolved the music he so passionately works with.
Nathan Harrell East (born December 8, 1955, Philadelphia, Pennsylvania) is a jazz, R&B and rock bass player and vocalist. East holds a Bachelor of Arts degree in Music from the University of California, San Diego (1978). He is a member of smooth jazz quartet Fourplay and has recorded, performed and co-written songs with performers such as Eric Clapton, Joe Satriani, Phil Collins, Stevie Wonder, Toto, Daft Punk, and Herbie Hancock.
Born to Thomas and Gwendolyn East, he is one of eight children (five boys and three girls) raised in San Diego, California, where the family moved when he was four. East first studied cello in seventh through ninth grades and played in local Horace Mann junior high school's orchestra. At age fourteen he developed an interest in the bass guitar, playing in church (Christ The King) for folk masses with his brothers Raymond and David. He was active in his (Crawford) high school's music programs along with a local top 40 band called "Power". He has said his early influences included Charles Mingus, Ray Brown and Ron Carter on upright bass; and James Jamerson, Paul McCartney and Chuck Rainey on electric bass. He studied music at UC San Diego. Nathan East is an accomplished amateur magician.
East has recorded, performed and co-written songs with Barry White Anita Baker, The Love Unlimited Orchestra, Babyface, B.B. King, Eric Clapton, George Harrison, Elton John, Michael Jackson, Stevie Wonder, Savage Garden, Sting, Quincy Jones, Al Jarreau, Kenny Loggins, The Manhattan Transfer, Herbie Hancock & Daft Punk That's Nathan's bass line you hear on the 2013 smash hit 'Get Lucky" Grammy winner for Record of the Year and Best Pop Duo/Group Performance (2014). 'Get Lucky' sold over 7.5 million copies. East composed the music for the Number one hit song "Easy Lover" for Phil Collins and Philip Bailey.
He performed on the Grammy Award-winning Unplugged album with Eric Clapton which featured the song "Tears In Heaven" (1992). East, a long-time member of Eric Clapton's studio and touring bands since the early 1980s also played on Clapton's "Change The World" which won the Grammy Award for Song of the Year in 1997. Other DVDs and videos Nathan appears on include Babyface Unplugged (1997), Phil Collins' "Live & Loose in Paris" (1998), Eric Clapton's 24 Nights (1991), One More Car, One More Rider (2001), Crossroads Guitar Festival (2004), Fourplay "Live in Cape Town (2006), Andrea Bocelli's, Vivere Live in Tuscany (2007) and David Foster & Friends (2008).
East was invited to play at We Are One: The Obama Inaugural Celebration at the Lincoln Memorial in Washington, D.C. in 2009, with a cast of luminaries of all genres of music.
East is one of the original members of the contemporary jazz group Fourplay, along with Bob James (keyboards), Lee Ritenour on guitar (later replaced by Larry Carlton and Chuck Loeb) and Harvey Mason (drums). Their Grammy Award-nominated albums have earned platinum status, and have topped Billboard's contemporary jazz charts.
In early 2010, East was invited to join American Grammy Award-winning rock band Toto on their reunion tour to benefit member Mike Porcaro, who had been diagnosed with amyotrophic lateral sclerosis (ALS). Another tour took place in the summer of 2011 with East once again playing. He was with the band during their summer tour in 2012. He is listed as a member on the official site of Toto as of 2013. East rejoined Eric Clapton's band for a series of concerts in Japan, Singapore, Thailand and Dubai in February and March 2014.
In June, 2012 he launched the Online Electric Bass School with Nathan East as a part of the ArtistWorks Bass Campus.
Nathan East released his first ever debut self-titled solo album on March 25, 2014 on Yamaha Entertainment Group label with guest appearances by Michael McDonald, Sara Bareilles, Stevie Wonder, Eric Clapton, Kazumasa Oda, Bob James, Chuck Loeb, Ray Parker, Jr., David Paich and his 13 year old son Noah East.
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Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American guitarist. His earliest and strongest musical influence was Django Reinhardt, the gypsy guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, Byrd collaborated with Stan Getz on the album Jazz Samba, a recording which brought bossa nova into the mainstream of North American music.
Charlie Byrd was born in Suffolk, Virginia, in 1925 and grew up in the town of Chuckatuck, Virginia. His father, a mandolinist and guitarist, taught him how to play the acoustic steel guitar at age 10. Byrd had three brothers, Oscar, Jack, and Joe, who was a bass player. In 1942 Byrd entered the Virginia Polytechnic Institute and played in the school orchestra. In 1943 he was drafted into the United States Army for World War II, saw combat, then was stationed in Paris in 1945 where he played in an Army Special Services band.
After the war, Byrd returned to the United States and went to New York, where he studied composition and jazz theory at the Harnett National Music School in Manhattan, New York. During this time he began playing a classical guitar. After moving to Washington, D.C. in 1950, he studied classical guitar with Sophocles Papas for several years. In 1954 he became a pupil of the Spanish classical guitarist Andrés Segovia and spent time studying in Italy with Segovia.
In 1957 Byrd met double bassist Keter Betts in a Washington, D.C., club called the Vineyard. The two began doing gigs together, and by October they were frequently performing at a club called the Showboat. In 1959 the pair joined Woody Herman's band and toured Europe for 3 weeks as part of a State Department-sponsored "goodwill" tour. The other members of the band were Vince Guaraldi, Bill Harris, Nat Adderley and drummer Jimmy Campbell. Byrd also led his own groups that sometimes featured his brother Joe. Byrd was also active as a teacher in the late 1950s; he trained several guitar students at his home in D.C., each being required to 'audition' for him, before he decided if they had potential enough to warrant his input.
Byrd was first introduced to Brazilian music by his friend, radio host Felix Grant, who had established contacts in Brazil in the late 1950s, and who was well-known there by 1960, due to the efforts of Brazilian radio broadcaster Paulo Santos. Following a spring 1961 diplomatic tour of South America (including Brazil) for the State Department, Byrd returned home and met with Stan Getz at the Showboat Lounge. Byrd invited Getz back to his home to listen to some bossa nova recordings by João Gilberto and Antonio Carlos Jobim which he had brought back. Getz liked what he heard and the two decided that they wanted to make a record album of the songs. The task of creating an authentic sound, however, proved much more challenging than either had anticipated.
Getz convinced Creed Taylor at Verve Records to produce the album, and Byrd and he assembled a group of musicians they both knew to create the recordings. These early sessions did not turn out to either man's liking, so Byrd gathered a group of musicians that had been to Brazil with him previously and practiced with them in Washington, D.C. until he felt they were ready to record. The group included his brother Gene Byrd, as well as Keter Betts, Bill Reichenbach and Buddy Deppenschmidt. Bill and Buddy were both drummers, and the combination made it easier to achieve authentic samba rhythms. Finally the group was deemed ready and Getz and Taylor arrived in Washington D.C. on February 13, 1962. They recorded in a building adjacent to All Souls Unitarian Church because of the building's excellent acoustics.
The recordings were released in April 1962 as the album Jazz Samba, and by September the recording had entered Billboard's pop album chart. By March of the following year the album had moved all the way to number one, igniting a bossa nova craze in the American jazz community as a result. It should be noted that the term bossa nova did not become used in reference to the music until later. The album remained on the charts for seventy weeks, and Getz soon beat John Coltrane in a Down Beat poll. One of the album's most popular tunes was a Jobim hit, titled "Desafinado".
Following the Success of Jazz Samba, Byrd was contracted to Riverside Records which rereleased six of his albums recorded for the small Offbeat label, a subsidiary of Washington records.
In 1963, Byrd did a European tour with Les McCann and Zoot Sims, among others. Either in 1964 or 1965, Byrd appeared at the Newport Jazz Festival with Episcopal priest Malcolm Boyd, accompanying prayers from his book Are You Running With Me Jesus? with guitar. In 1967 Byrd brought a lawsuit against Stan Getz and MGM, contending that he was unfairly paid for his contributions to the 1962 album Jazz Samba. The jury agreed with Byrd and awarded him half of all royalties from the album.
His earliest trios included bassist Keter Betts and drummers Buddy Deppinschmidt and Bertel Knox. In the early 1960s Betts joined Ella Fitzgerald and Byrd's brother Gene H. (Joe) Byrd became bassist for the group. Joe Byrd played with his brother until Charlie Byrd's death in 1999 of cancer. Byrd's trios also included drummers Billy Reichenbach for over ten years, Wayne Phillips for several years and for the last 19 years Chuck Redd.
In 1967, or more likely 1968, his quartet was on a state department tour in Asia, which included Katmandu, Nepal. Upon invitation by the pastor, that stop included him playing both Bach and a spiritual at the worship service of the (International) Protestant Congregation on Sunday morning.
In 1973 Byrd moved to Annapolis, Maryland, and in September of that year he recorded an interesting album with Cal Tjader titled Tambú, the only recording the two would make together. That same year Byrd joined guitarists Herb Ellis and Barney Kessel and formed the Great Guitars group, which also included drummer Johnny Rae. Byrd collaborated with Venezuelan pianist and composer Maestro Aldemaro Romero on the album Onda Nueva/The New Wave.
From 1980 through 1996, he released several of his arrangements to the jazz and classical guitar community through Guitarist's Forum (gfmusic.com) including Charlie Byrd's Christmas Guitar Solos, Mozart: Seven Waltzes For Classical Guitar, and The Charlie Byrd Library featuring the music of George Gershwin and Irving Berlin. He also collaborated with the Annapolis Brass Quintet in the late 1980s, appearing with them in over 50 concerts across the United States and releasing two albums.
A jazz supper club in Georgetown, DC also bore his name, "Charlie's". When he died, he was "at home" in the King of France Tavern of the Maryland Inn, Annapolis.
Byrd played for several years at a jazz club in Silver Spring, Maryland, called The Showboat II which was owned and managed by his manager, Peter Lambros. He was also home-based at the King of France Tavern nightclub at the Maryland Inn in Annapolis from 1973 until his death in 1999. In 1992 the book "Jazz Cooks"—by Bob Young and Al Stankus—was published by Stewart, Tabori & Chang, a compilation of recipes that include a few recipes from Byrd. He also authored the 1973 publication Charlie Byrd's Melodic Method for Guitar.
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Mickey Carroll is a guitar player, singer and bandleader who is dedicated to giving back to the world through community activism and musical commentary.
Mickey's career started in 1956 playing clubs in Atlantic City and Philadelphia. In 1957 he and Bill Harner started the doo-wop musical duo "Billy and Mickey". Billy and Mickey was one of the first white acts to break the color barrier playing a string of black and white concerts in the 1950’s.
In the 1960's Mickey was managed by the original owner of Harlem's Cotton Club, Herman Stark and son Steve, performing in the upscale hotels of Miami Beach.
In 1974 Mickey was signed by Soul Train legend Don Cornelius and Dick Griffy to Solar Records. By 1975 Mickey was recording the first album recorded at sea. Don and Dick moved the famous Record Plant Studio in Sausalito, California aboard a 110 foot ship! Helmed by the legendary Bob Johnston (Bob Dylan, Elvis, Johnny Cash) the album was recorded with an all-star roster of musicians including hit songwriter Jimmy Webb, Leon Pendarvis - NBC's Saturday Night Live music director, Chuck Leavell of the Rolling Stones and Willie Hall of the Blues Brothers band.
In 1978, Mickey’s album "Love Life" was nominated for a Grammy award. Engineered by Grammy-winner Eric Schilling, "Love Life" still sounds fresh today and is currently released around the world by Vision Records and Banderia Music Company.
By 1980 Mickey had decided to take a new direction with his music. Partnering with Rod Glaubman (founder of PACE, the largest non-profit performing arts organization in America), Mickey and Rod created concert events for those with disabilities, veterans and senior citizens. In 1983 Mickey was featured on NBC’s Today Show (see link at left).
In 1984 Mickey was awarded a gold record for his song, "Love Is Where You Find It". It went to number one on Billboard's R&B chart, recorded by "The Whispers" on Solar Records.
From 2000 to 2010 Mickey ran Mother J Productions, a 501c non-profit he founded to fund arts education through concert performances and community events. Mother J contributed over $100,000 to arts education and world community disaster relief funds.
2011 finds Mickey still hard at work writing new songs, recording, and releasing socially conscious music. Produced by Howard Albert (Bee Gees, Eagles, Eric Clapton, Allman Brothers) and released around the world by Vision records (US and Europe) and Banderia music (Asia)
Mickey has long relationships with the best musicians, producers and engineers in the business. Let Mickey put together a show for your next fundraiser, convention, or event.
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Walter Maynard Ferguson (May 4, 1928 – August 23, 2006) was a Canadian jazz musician and bandleader. He came to prominence playing in Stan Kenton's orchestra, before forming his own band in 1957. He was noted for being able to play accurately in a remarkably high register, and for his bands, which served as stepping stones for up-and-coming talent.
Ferguson was born in Verdun, Quebec (now part of Montreal). Encouraged by his mother and father (both musicians), Maynard was playing piano and violin by the age of four. Newsreel footage exists of Ferguson as a child prodigy violinist. At nine years old, he heard a cornet for the first time in his local church and asked his parents to purchase one for him. At age thirteen, Ferguson first soloed as a child prodigy with the Canadian Broadcasting Corporation Orchestra and was heard frequently on the CBC, notably featured on a "Serenade for Trumpet in Jazz" written for him by Morris Davis. Ferguson won a scholarship to the Conservatoire de musique du Québec à Montréal where he studied from 1943 through 1948 with Bernard Baker.
Ferguson dropped out of Montreal High School at age 15 to more actively pursue a music career, performing in dance bands led by Stan Wood, Roland David, and Johnny Holmes. While trumpet was his primary instrument, Ferguson also performed on other brass and reed instruments. Ferguson later took over the dance band formed by his saxophonist brother Percy, playing dates in the Montreal area and serving as an opening act for touring bands from Canada and the USA. During this period, Ferguson came to the attention of numerous American band leaders and began receiving offers to come to the United States.
Ferguson finally moved to the United States in 1948 intending to join Stan Kenton's organization. But Kenton had just disbanded his orchestra, so Ferguson initially played with the bands of Boyd Raeburn, Jimmy Dorsey, and Charlie Barnet. The Barnet band was notable for a trumpet section that also included Doc Severinsen, Ray Wetzel, Johnny Howell, and Rolf Ericson. Ferguson was featured on a notoriously flamboyant Barnet recording of Jerome Kern's "All The Things You Are" that showcased Ferguson's upper register playing. The recording reportedly enraged Kern's widow and was subsequently withdrawn from sale. When Barnet temporarily retired in 1949 and disbanded his orchestra, Ferguson was free to accept an offer to join Stan Kenton's newly formed Innovations Orchestra.
Stan Kenton's bands were notable for their strong brass sections and Ferguson was a natural fit. In 1950, Kenton formed the Innovations Orchestra, a 40-piece jazz concert orchestra with strings, and with the folding of the Barnet band, Ferguson was available for the first rehearsal on January 1, 1950. While the Innovations Orchestra was not commercially successful, it made a number of remarkable recordings, including "Maynard Ferguson," one of a series of pieces named after featured soloists.
When Kenton returned to a more practical 19-piece jazz band, Ferguson continued with him. Contrary to the natural assumption, Ferguson was not Kenton's lead trumpet player, but played the third chair with numerous solo features, as noted in the scores written for the Kenton band during this period. Notable recordings from this period that feature Ferguson include "Invention for Guitar and Trumpet", "What's New?" and "The Hot Canary".
So popular was Ferguson with Kenton that for three years running, 1950, 1951, and 1952, he won the Down Beat Readers' Poll as best trumpeter.
In 1953, Ferguson left Kenton to become a session player for Paramount Pictures, soon becoming the first-call player. Ferguson appeared on 46 soundtracks including The Ten Commandments. Ferguson still recorded jazz during this period, but his Paramount contract prevented him from playing jazz clubs. This was sometimes circumvented by appearing under aliases such as "Tiger Brown", "Foxy Corby", and others. While he enjoyed the regular Paramount paycheck, Ferguson was very unhappy with the lack of live performance opportunities and left Paramount in 1956. Ferguson can clearly be discerned on several soundtracks from the time, including the Martin and Lewis films "Living it Up" and "You're Never Too Young."
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Patrick Bruce Metheny (born August 12, 1954 in Lee's Summit, Missouri) is a world renowned American jazz guitarist and leader of the Pat Metheny Group as well as various collaborations, duets, solo works, and other side projects.
Metheny was born and raised in Missouri. Following his graduation from Lee's Summit High School, he attended the University of Miami in Coral Gables, Florida.
Metheny came onto the jazz scene quickly in 1975, at the age of 21, after joining Gary Burton's band and then recording a trio record with Jaco Pastorius called Bright Size Life. Metheny's next recording, 1977's Watercolors, featured pianist Lyle Mays. Metheny's next album formalized this partnership and began the Pat Metheny Group, featuring several songs co-written with Mays; the album was released as the self-titled Pat Metheny Group on the ECM record label. Pat Metheny also has released notable solo, trio, quartet and duet recordings with musicians such as Jim Hall, Dave Holland, Roy Haynes, Gary Burton, Chick Corea, Charlie Haden, John Scofield, Jack DeJohnette, Herbie Hancock, Bill Stewart, Ornette Coleman, Brad Mehldau, and many others.
Pat Metheny has also joined projects of all kinds both as a player and a writer, notably the record Song X with Ornette Coleman; Parallel Realities; and Jazz Baltica, with Ulf Wakenius and other Nordic Jazz players and plays with some great female musicians such as Silje Nergaard on Tell Me Where You're Going (1990), Noa on Noa (1994) and Anna Maria Jopek on Upojenje (2002).
Pat Metheny has been touring for more than 30 years, averaging 120-240 concerts a year. Metheny has written over 200 pieces and continues to push musical limits in both his composition and performance.
When working outside of the confines of the PMG, Metheny has shown different sides to his musical personality. Working with established jazz figures such as Ornette Coleman, Michael Brecker, Charlie Haden, Dave Holland, Christian McBride, David Sanchez and Roy Haynes, he has made records that have found favor with jazz critics that were disparaging of the "pastoral" or "light rock" aspects of his work with the PMG. Projects like the collaboration with Derek Bailey and Zero Tolerance for Silence have confounded critics who saw Metheny as following a path of increasing blandness with the PMG.
Continuing the tradition of jazz guitarists borrowing tones and techniques from their rock counterparts, Metheny has made alterations to the jazz guitar tone palette.
As a guitarist, Metheny cites Wes Montgomery as his biggest early influence. His playing (as well as his tone) also show significant influence by Jim Hall, Kenny Burrell, Joe Pass, and other classic jazz players. Metheny has often been quoted saying that he is as likely to name non-guitarists as significant stylistic influences as fellow guitar players, giving as examples players like Clifford Brown and John Coltrane. He has paid significant attention to the evolution of guitar playing across genres, however, and is familiar with the playing of notables from the likes of rocker Eddie Van Halen to Windham Hill artist Leo Kottke.
In particular, he has been influenced by Brazilian music--both the European-influenced jazz sound of the bossa nova and the intensely polyrhythmic Afro-Brazilian sounds of the country's northeast. Metheny has lived in Brazil and performed with several local musicians such as Milton Nascimento and Toninho Horta.
Metheny has also named Ornette Coleman as a musical influence. He has recorded Coleman compositions on a number of his records (starting with a medley of "Round Trip" and "Broadway Blues" on his debut Bright Size Life); worked extensively with Coleman collaborators such as Charlie Haden, Dewey Redman, and Billy Higgins; and has even made a record, Song X, with Coleman.
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Diana Jean Krall, OC, OBC (born November 16, 1964) is a Canadian jazz pianist and singer, known for her contralto vocals. She has sold more than 6 million albums in the US and over 15 million worldwide. On December 11, 2009, Billboard magazine named her the second Jazz artist of the 2000–09 decade, establishing her as one of the best-selling artists of her time. She is the only jazz singer to have eight albums debuting at the top of the Billboard Jazz Albums. To date, she has won two Grammy Awards and eight Juno Awards. She has also earned nine gold, three platinum, and seven multi-platinum albums.
Krall was born on November 16, 1964 in Nanaimo, British Columbia, Canada, the daughter of Adella A. (née Wende) and Stephen James "Jim" Krall. Her father played piano at home and her mother sang in a community choir. She was playing piano herself at the age of four and playing jazz in a local restaurant at 15. She went to the Berklee College of Music in Boston on a scholarship before heading out to L.A. to play jazz. She returned to Canada to release her first album in 1993.
Krall lost her mother to multiple myeloma in 2002, within months of also losing her mentors Ray Brown and Rosemary Clooney. Diana's only sibling, Michelle, is a former member of the Royal Canadian Mounted Police (RCMP).
Krall and British musician Elvis Costello were married on December 6, 2003 at Elton John's estate outside London. Their twin sons, Dexter Henry Lorcan and Frank Harlan James, were born December 6, 2006 in New York City.
In 1993, Krall released her first album, Stepping Out, which she recorded with John Clayton and Jeff Hamilton. It caught the attention of producer Tommy LiPuma, who produced her second album, Only Trust Your Heart (1995).
Her third album, All for You: A Dedication to the Nat King Cole Trio (1996), was nominated for a Grammy and continued for 70 weeks in the Billboard jazz charts. Love Scenes (1997) quickly became a hit record with the trio of Krall, Russell Malone (guitar) and Christian McBride (bass).
Orchestral arrangements by Johnny Mandel provided the background on When I Look In Your Eyes (1999). The band mix was kept, following arrangements on The Look of Love (2001) created by Claus Ogerman; this record achieved platinum status and reached the top 10 of the Billboard 200. The title track from the album, a cover of the Casino Royale standard popularized in the late 1960s by Dusty Springfield and Sérgio Mendes, reached number 22 on the adult contemporary chart.
In September 2001, Krall began a world tour. Her concert at the Paris Olympia was recorded and released as her first live record, Diana Krall - Live in Paris. The album included covers of Billy Joel's "Just The Way You Are" (a hit on U.S. smooth jazz radio) and Joni Mitchell's "A Case Of You."
The 2001 movie The Score (U.S.A. and Germany) starring Robert De Niro and Marlon Brando, features a recording of Krall entitled: “I’ll Make It Up As I Go.” This song accompanies the film’s ending Credits (Chapter 12) and was composed by a fellow Canadian, David Foster.
After marrying Elvis Costello, she worked with him as a lyricist and started to compose her own songs, resulting in the album The Girl in the Other Room. The album, released in April 2004, quickly rose to the top five in the United Kingdom and made the Australian top 40 album charts.
Live at The Paramount Theater in Charlottesville, Virginia
Quiet Nights was released on 31 March 2009.
Krall also produced Barbra Streisand's album Love Is the Answer, released on September 29, 2009. 2011 saw Krall retreat to Sri Lanka; however, no publicity was given and the visit remained entirely private. In September 2012, she accompanied Paul McCartney at Capitol Studios in a live performance of his Album "Kisses on the Bottom", which was shown live on the internet.
Glad Rag Doll, her latest album, was released on October 2, 2012.
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Saxophonist Duane Parham is one of Motor City’s most beloved jazz artists. He is recognized as an innovator and top performer in Smooth Jazz, R&B and Gospel Music. Born and raised in Detroit, Michigan, Duane’s latest project, “Motor City Sax Appeal: My Tribute to the Motown Legends” delivers a Mo-Jazz tribute to Motown Records.
As an artist, Duane has amassed many accolades acknowledging his talent and civic contributions. He is the recipient of five Mayoral Proclamations of Achievement from Mayors Coleman A. Young, Dennis W. Archer and Dave Bing of Detroit along with Mayor Martha G. Scott of Highland Park, MI for his accomplishments in the development of Music Arts and his outstanding contribution to the progress of both communities.
Duane also received the Spirit of Detroit Award from the Honorable Mayor Dave Bing for producing and arranging “Dream Detroit” and his documentary entitled “The Unsung Musicians of Motown Empire.
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Ellis Louis Marsalis, Jr. (born November 14, 1934) is an American jazz pianist.Active since the late 1940s, Marsalis came to greater attention in the 1980s and '90s as the patriarch of a musical family, with sons Branford Marsalis and Wynton Marsalis rising to international acclaim.
He can usually be seen performing on Fridays at Snug Harbor jazz bistro in New Orleans.
Marsalis was born in New Orleans, Louisiana, the son of Florence (née Robertson) and Ellis Marsalis, Sr., a businessman and social activist. Marsalis and wife Delores Ferdinand have six sons: Branford Marsalis, Wynton Marsalis, Ellis Marsalis III (1964), Delfeayo Marsalis, Mboya Kinyatta Marsalis (1971), and Jason Marsalis. Branford, Wynton, Delfeayo, and Jason are also jazz musicians. Ellis is a poet, photographer, and network engineer based in Baltimore.
Ellis started out as a tenor saxophonist, switching to piano while in high school. From his first professional performance with "The Groovy Boys" over fifty years ago, Ellis Marsalis has been a major influence in jazz. At that time, Marsalis was one of the few New Orleans musicians who did not specialize in Dixieland or rhythm and blues. He played with fellow modernists including Cannonball Adderley, Nat Adderley, and Al Hirt, becoming one of the most respected pianists in jazz. Though he has recorded almost twenty of his own albums, and was featured on many discs with such jazz greats as David “Fathead” Newman, Eddie Harris, Marcus Roberts, and Courtney Pine, he shunned the spotlight to focus on teaching. Marsalis's didactic approach, combined with an interest in philosophy, encourages his students to make discoveries in music on their own, through experiment and very careful listening.
As a leading educator at the New Orleans Center for Creative Arts, the University of New Orleans, and Xavier University of Louisiana, Ellis has influenced the careers of countless musicians, including Terence Blanchard, Harry Connick Jr., Nicholas Payton; as well as his four musician sons: Wynton, Branford, Delfeayo and Jason. In May, 2007, Marsalis received an honorary doctorate from Tulane University for his contributions to jazz and musical education.
On December 7, 2008, Ellis Marsalis was inducted into The Louisiana Music Hall of Fame.
The Ellis Marsalis Center for Music at Musicians' Village in New Orleans is named in honor of Ellis Marsalis. In 2010, The Marsalis Family released a live album titled Music Redeems which was recorded at The John F. Kennedy Center for the Performing Arts in Washington, DC as part of the Duke Ellington Jazz Festival. All proceeds from the sale of the album go directly to the Ellis Marsalis Center for Music.
Marsalis and his sons are group recipients of the 2011 NEA Jazz Masters Award.
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Rahsaan Roland Kirk
Rahsaan Roland Kirk (August 7, 1935 – December 5, 1977) was an American jazz multi-instrumentalist who played tenor saxophone, flute and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously.
Kirk was born Ronald Theodore Kirk in Columbus, Ohio, but felt compelled by a dream to transpose two letters in his first name to make Roland. He became blind at an early age as a result of poor medical treatment. In 1970, Kirk added "Rahsaan" to his name after hearing it in a dream.
Preferring to lead his own bands, Kirk rarely performed as a sideman, although he did record with arranger Quincy Jones and drummer Roy Haynes and had notable stints with bassist Charles Mingus. One of his best-known recorded performances is the lead flute and solo on Jones' "Soul Bossa Nova", a 1964 hit song repopularized in the Austin Powers films (Jones 1964; McLeod et al. 1997).
His playing was generally rooted in soul jazz or hard bop, but Kirk's knowledge of jazz history allowed him to draw on many elements of the music's past, from ragtime to swing and free jazz. Kirk also absorbed classical influences, and his artistry reflected elements of pop music by composers such as Smokey Robinson and Burt Bacharach, as well as Duke Ellington, John Coltrane and other jazz musicians. The live album Bright Moments (1973) is an example of one of his shows. His main instrument was the tenor saxophone, supplemented by other saxes, and contrasted with the lighter sound of the flute. At times he would play a number of these horns at once, harmonizing with himself, or sustain a note for lengthy durations by using circular breathing, or play the rare, seldom heard nose flute. A number of his instruments were exotic or homemade, but even while playing two or three saxophones at once, the music was intricate, powerful jazz with a strong feel for the blues.
Kirk was politically outspoken. During his concerts, between songs he often talked about topical issues, including black history and the civil rights movement. His monologues were often laced with satire and absurdist humor. According to comedian Jay Leno, when Leno toured with Kirk as Kirk's opening act, Kirk would introduce him by saying, "I want to introduce a young brother who knows the black experience and knows all about the white devils .... Please welcome Jay Leno!"
In 1975, Kirk suffered a major stroke which led to partial paralysis of one side of his body. However, he continued to perform and record, modifying his instruments to enable him to play with one arm. At a live performance at Ronnie Scott's club in London he even managed to play two instruments, and carried on to tour internationally and even appear on television.
He died from a second stroke in 1977 after performing in the Frangipani Room of the Indiana University Student Union in Bloomington, Indiana.
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Help Us Keep Jazz Music Alive!
Gee Caver In Support of Baker's Keyboard Lounge
The tag line for my company, Key of Gee, is “Have A Very Musical Day”. My life is filled with rhythms and sounds. I am listening, writing reviews, singing and humming all day. A friend asked if I could go 24 hours without turning on music. I told him I could and then began to wonder “what was I thinking?”
I took the dare and learned a great lesson. I kept to my regular routine – up early tied up my walking shoes – headed out for some exercise with no IPod – no music!
Walking my regular route, I noticed a large pothole in the street. Every vehicle that hit that hole had a different sound da-dum da-dum. The business on the corner flies three flags. As the wind blew the flags there was a whip, pop, whip sound and the rope on the flags was banging the pole, clang um clang. I started smiling, is nature making me cheat?
Car horns blowing, loud mufflers, dogs barking, birds chirping -- the leaves on the tree – the sound of my shoes hitting the pavement -- everything has a sound – its own cadence.
For 24 hours, I didn’t turn on any music. I took the time to be present in the moment and enjoy my surrounding and heard some wonderful sounds. And I still had a Very Musical Day.
This year, Baker’s Keyboard Lounge celebrated 76 years of Jazz – maintaining its standing as the world’s oldest Jazz Club.
In an effort to keep the music playing, Roger Tucker and Three Quarter Step will host a Wednesday Night open mic Jazz Jam at Baker’s Keyboard Lounge. Come out and hear Jazz-America’s music performed by Detroit’s premier artists. In the weeks to come there will be fabulous door prizes and special celebrity guest performances. You won’t want to miss a week.
The open mic Jazz Jam starts Wednesday, October 20, 2010, 9:30pm. All Musicians and vocalists are invited to perform.
Baker’s is known for hosting the best in Detroit’s Jazz including: James Carter, Rayse Biggs, Calvin Brooks, Al McKenzie, Penny Wells, Allan Barnes, Vonne', Jazzeray, Gwen Dommond, David Myles and Mylestones, Guymon Ensley, Ange Smith, Ola Hemphill, Rene King-Jackson, Earl Klugh, Straight Ahead, Port of Call, to name a few. Come and experience standing on the stage that also hosted: Dave Brubeck, Donald Byrd, Oscar Peterson, Sunny Stitt, Kenny Burrell, Jon Lucien and Sea Wind. Mix with the spirits of Nat King Cole, Ella Fitzgerald, Liberace, Dr. Teddy Harris, Ken Cox, Donald Walden and the list goes on and on.
Calling All Past Performers -- It’s up to us to keep the music playing!
Baker’s Keyboard Lounge
Detroit, MI 48221
HAVE A VERY MUSICAL DAY!
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Born c. 1969, in St. Petersburg, FL; daughter of Lance (a saxophone player and keyboardist) and Linda Abair. Education: Attended University of Northern Florida; graduated from Berklee College of Music, magna cum laude, 1991.
At a time of sagging sales for contemporary and smooth jazz, pop-inspired saxophonist Mindi Abair has brought the cool factor back onto the jazz scene, boosting not only her own popularity, but that of an entire genre as well. With her heavy emphasis on the sounds of R&B and dance music as well as pop and rock, her jazz tunes defy categorization, and have attracted many new, young listeners to the genre. Although most clearly defined as a jazz musician, she cut her teeth playing the saxophone for pop superstars the Backstreet Boys. That connection showed clearly in her 2003 major label debut, It Just Happens that Way. "Lucy's," a single from the album, debuted at the number one position on the Radio & Records chart for most airplay. Following on the single's heels, the album itself landed in the top ten on the Billboard contemporary jazz chart.
Abair grew up in St. Petersburg, Florida, in a family of musicians. Her father, Lance, was a saxophone player and keyboardist. His band, the Entertainers, frequently played on the road, and Lance took his family along with him, including Abair and her mother, Linda. Abair was the third generation of musicians in the family; her grandmother had been an opera singer. Young Mindi Abair learned to play the piano when she was five years old, while on the road with her father. She soon fell in love with the saxophone, again following her father's example. She had learned to play the sax by the time she was eight years old, and that same year she began writing her own music.
By the time she reached high school, Abair was an accomplished musician, playing in her high school marching band, in which she also played drums. There was never a point at which she decided to make music her life, she recalled later, she simply always was a musician. Her early influences were not only the music of jazz musicians such as Bill Evans, Miles Davis, and others, but top 40 hits as well, and this blend of tastes defined her work in later years.
After graduation from high school, Abair won a full scholarship to the University of Northern Florida to study music. But she soon found that the music department was not receptive to her interest in contemporary jazz. "It was a great experience," she later explained to Kevin Walker in the Tampa Tribune, "but they were very traditional." After a year she transferred to the renowned Berklee College of Music in Boston. There she found herself at home with instructors and fellow students, who appreciated her desire to fuse jazz with rock, dance, and pop sounds. Among her most influential teachers was famous saxophone instructor Joe Viola, who helped her further hone her composition skills. After class she got even more experience playing in jam sessions with classmates in the dorms.
Following her graduation from Berklee, Abair moved to Los Angeles. Unlike many of her peers, she chose not to get a day job to help support herself; she expected her music to support her immediately. To this end, she put together a band to play in clubs at night and, lacking other work, she played on the streets of Santa Monica during the day. The gamble paid off when new age recording artist John Tesh spotted her in one of her club gigs and invited her to join a concert tour he was putting together. She accepted, and her career was off and running. More job offers rolled in, and soon she was playing with such acts as the Gap Band, Adam Sandler, Mandy Moore, Teena Marie, and perhaps most significantly, from 1999 to 2001, the pop group the Backstreet Boys.
Bud Harner, a Verve record label representative, caught one of Abair's acts in concert. He later described the scene to Dave Scheiber in the Chicago Sun-Times: "The whole place was just mesmerized by her, this beautiful, young, blond woman ... just burning on the horn." Abair was already committed to a long-term tour with the Backstreet Boys tour, so she and Harner agreed to talk when she returned.
For Abair, the gig with the Backstreet Boys--two years on the road as the band's featured sax player--marked a major milestone in her career. She played in 50,000-seat venues throughout the United States and Europe, making professional contacts and gaining valuable experience that would serve her well in her later career as a soloist. After her return from the tour in 2001, she sent Harner a demo CD, and Verve gave her a contract. The result was an album called It Just Happens that Way, Abair's major label debut. The title of the album came from a 1962 live album by jazz saxophone great Cannonball Adderley, on which he can be heard saying, as quoted on the Verve Music Group website, "Hipness is not a state of mind. It's a fact of life. You don't decide you're hip. It just happens that way."
The album debuted to brisk sales and to critical acclaim. A single from the album titled "Lucy's" hit the number one spot on the Radio & Records chart for most airplay, and the album itself climbed to the top ten on the Billboard contemporary jazz chart. The record label began receiving fan letters from teens, an accomplishment normally reserved for pop stars. Abair has said of her debut that it was the culmination of a lifetime of work, that all of her playing and practicing and performing had been leading up to this achievement. She couldn't have been happier, too, with the success of the album at music stores and among critics, who praised it for its fresh approach to jazz. Abair was proud, not only of landing her own recording contract and playing her own compositions, but for having achieved success in a field largely dominated by men.
Abair has continued to live in Los Angeles. As for the future, she has said she plans to produce many more albums, and to one day start a family. "I grew up on the road," she explained on the Verve website, "so I think I can pull it off.... But I have to meet someone first."
by Michael Belfiore
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(born 4 January 1942, Doncaster, South Yorkshire, England), also known as Mahavishnu John McLaughlin, is an English guitarist, bandleader and composer. His music includes many genres of jazz, and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion.
In 2010 guitarist Jeff Beck called him "the best guitarist alive". The Indian tabla maestro Zakir Hussain has called him "one of the greatest and one of the important musicians of our times". In 2003 McLaughlin was ranked 49th in Rolling Stone magazine list of the "100 Greatest Guitarists of All Time".
After contributing to several key British groups of the early sixties and making his first solo record Extrapolation (with Tony Oxley and John Surman) he moved to the USA where he played with Tony Williams's group Lifetime and then with Miles Davis on his landmark electric jazz-fusion albums In A Silent Way, Bitches Brew, A Tribute to Jack Johnson and On The Corner. His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences.
From a family of musicians (his mother being a concert violinist), McLaughlin studied violin and piano as a child and took up the guitar at the age of 11, exploring styles from flamenco to the jazz of Django Reinhardt and Stephane Grappelli. He moved to London from Yorkshire in the early 1960s, playing with Alexis Korner and the Marzipan Twisters before moving on to Georgie Fame and the Blue Flames, the Graham Bond Organisation (in 1963) and Brian Auger. During the 1960s he often had to support himself with session work which he often found unsatisfying but which enhanced his playing and sight-reading.
McLaughlin moved to the U.S. in 1969 to join Tony Williams' group Lifetime. A recording from the Record Plant, NYC, dated 25 March 1969, exists of McLaughlin jamming with Jimi Hendrix. McLaughlin recollects "we played one night, just a jam session. And we played from 2 until 8, in the morning. I thought it was a wonderful experience! I was playing an acoustic guitar with a pick-up. Um, flat-top guitar, and Jimi was playing an electric. Yeah, what a lovely time! Had he lived today, you'd find that he would be employing everything he could get his hands on, and I mean acoustic guitar, synthesizers, orchestras, voices, anything he could get his hands on he'd use!"
He played on Miles Davis' albums In A Silent Way, Bitches Brew (which has a track named after him), On The Corner, Big Fun (where he is featured soloist on "Go Ahead John") and A Tribute to Jack Johnson. In the liner notes to Jack Johnson, Davis called McLaughlin's playing "far in." McLaughlin returned to the Davis band for one night of a week-long club date, recorded and released as part of the album Live-Evil and of the Cellar Door boxed set. His reputation as a "first-call" session player grew, resulting in recordings as a sideman with Miroslav Vitous, Larry Coryell, Joe Farrell, Wayne Shorter, Carla Bley, the Rolling Stones, and others.
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[MIXTAPE] Various Artists Maximum Respect Vol. 2
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Maximum Respect Vol. 2 Features The Best Underground Artists - SALUTE THE REAL